Chris has become a valued contributor to our communications strategy.


I highly recommend their services to any filmmaker who seeks not just an editor but an ADVOCATE, someone who will embrace your vision and do everything in their power to see it succeed.


Color grading in the film and video worlds has always been a heavily technical occupation. It always will be, because a major part of your responsibility is ensuring that your project meets the precise standards of broadcast and distribution companies.



We were read a story before bed as children, sometimes two if we begged. As adults we read online news, talk about the day’s big events; we exchange stories with our friends of how we spend our days. We know stories exist, but what exactly is a story? More importantly, how do we tell a good one?


A few weeks ago, a recent film school grad asked me on LinkedIn how he should go about finding work in the film industry. So: here’s an unordered list of ways to go about making your own luck.


Colorimetry is sure to be the most complicated parameter to implement being made up of many interrelated issues, if it is adopted for Ultra HD.